Classification of decorative patterns in Kamares pottery
نویسندگان
چکیده
An important feature of the Minoan culture is the pottery of Kamares style, that documents the Cretan cultural production between the first half of the II millennium BC. This high level painted production characterized by the combination of several diverse motifs, presents an enormous decorative repertoire. The extraordinary variety of combinations between elementary motifs according to a complex visual syntax makes interesting the automatic identification of the motifs, particularly upon pot sherds. A complete pipeline to accomplish this task is still a challenge to Computer Vision and Pattern Recognition. Starting from a digital image ROI identification, motif extraction, robust contour detection should be performed to obtain a bag of digital shapes. In a second phase each of the extracted shapes has to be classified according to prototypes in a database produced by an expert. The cooccurrence of the different shapes in a clay fragment will in turn be used to help the archaeologist in datation. In this preliminary report we address only one step of such pipeline relative to the shape matching phase. CR Categories: I.4.10 [Image Processing and Computer Vision]: Image Representation; I.5.4 [Pattern Recognition]: Applications; J.2 [Computer Applications]: Physical Sciences and Engineering— Archaeology;
منابع مشابه
Automatic Classification of Decorative Patterns in the Minoan Pottery of Kamares Style
An important feature of the Minoan culture is the pottery of Kamares style, that documents the Cretan cultural production between the first half of the 2nd millennium BC. This high level painted production, characterized by the combination of several diverse motifs, presents an enormous decorative repertoire. The extraordinary variety of combinations between elementary motifs according to a com...
متن کاملintroduction and classification of seljuq pottery
The Seljuq arts is one of the most brilliant and prominent periods in Iranian art history, and considerable progress has been made in all the arts, including the pottery. The possibility of producing white bodies (white clay) due to the lack of kaolin was one of the Iranian potter’s long-standing aspirations. Iranian Seljuq potteries used a new artificial body called stone paste (Bādānehaye Jes...
متن کاملTypology of Geometric Arrays of Human Figures’ Apparel in the Mina`i Pottery of the 6th and 7th Centuries AH.
Mina`i pottery produced in the late Seljuk and Khwarezmshahi periods under the supervision of pottery masters and painters, is more diverse and magnificent in terms of design and portrait than the previous works. In this group of pottery, human figures have a special place and are often seen in pottery. Various geometric patterns have been used in the apparel of these motifs, which has made ena...
متن کاملChavin de Huantar Potsherd Impression Analysis
Chav́ın de Huántar is an archaeological site of critical interest for intepreting the Andean archaeological record. In this paper, we present our work on developing an object recognition system to classify Chav́ın pot sherds by decorative impressions. We trained and evaluated MSER and SURF based classification systems on a small labeled set of replica sherds and achieved classification accuracy o...
متن کاملRevealing patterns of cultural transmission from frequency data: equilibrium and non-equilibrium assumptions
A long tradition of cultural evolutionary studies has developed a rich repertoire of mathematical models of social learning. Early studies have laid the foundation of more recent endeavours to infer patterns of cultural transmission from observed frequencies of a variety of cultural data, from decorative motifs on potsherds to baby names and musical preferences. While this wide range of applica...
متن کامل